Shakespeare Sunday: Twelfth Night & King Lear

Welcome to 'Shakespeare Sunday', where I take an extract from one of the plays and write my thoughts.

'Hey, ho, the wind and the rain' Twelfth Night Act 5, Scene 1, and King Lear Act 3, Scene 2

Shakespeare's Songs: Fools and Fortune 

Working The Blanks: First Poem In Progress

2018 is well underway, as is the research and writing I am doing as poet-in-residence at the Pen Museum.

The research I carried out during the first few months of my residency has provided me with a rich bank of ideas, which I am now delving into as I begin to craft the poems. The areas I want to explore are broad, ranging from the factory and its products, to the museum and its visitors; I want to reflect both intangible things, such as experiences and memories, and real objects, like the pen nibs themselves. I want to tell as much of the Museum's story as possible, by engaging with everything from the people and the period, to the place and, of course, the pens.

Review: RSC, Macbeth

The old king sleeps. At the foot of his bed, three childish spectres keep their watch...

I was apprehensive to see the RSC's 2018 production of Shakespeare's Macbeth. The reviews were rather poor, with comments circulating that the production was unclear, disjointed, and inaccessible. However, being a strong supporter of the RSC and an open-minded theatre-goer, I entered the auditorium with the same level of interest and excitement as for any other production. Here's my thoughts.

My Poetry Journey

I'm very excited that my first poetry manuscript will be published by Offa's Press later in 2018!

My debut pamphlet will explore the murder mystery, 'Who Put Bella in the Wych Elm', a true story from my local area. With the working title 'Bella', this poetic sequence follows the mystery from the murder itself, to the discovery of the body, through to the police investigations which followed. It plots its way through local topography, history, and folkloric connections, examining but never quite uncovering the hidden truths of the case.

I'll be documenting my journey to publication on this blog. Please see the page 'Bella, Offa's Press' for all updates. My first entry is below!

First Editorial Meeting 

Thursday 5 April, 2018

Meeting with Emma was invaluable. It's been a little while since I wrote the poems in my manuscript, and I've become complacent - not thinking twice about the titles, order, or how the sequence reads to those unfamiliar with the story. 

To bring this manuscript down to pamphlet length, some of the poems needed to go. Those that remained needed to be reordered, and their titles changed to better signpost the story being told; Emma's insight and advice during this process was much needed. 

It was difficult to cut some of the poems, and alter some of the titles, but it feels good to have a thorough 'spring clean' and work the manuscript into its best possible shape. 

Review: Royal Exchange, Frankenstein

The decks creak and the hull moans. With his ship stranded in the ice, Captain Walton begins a letter to his sister... 

Though I do love the Bard, it is refreshing to sometimes see a non-Shakespearean production. While I was familiar with the concept of Frankenstein, I knew little about the story itself, so to see it brought to life (or should I say, 'reanimated'?) on the stage, filled me with an intriguing mix of excitement and unease. Here's my thoughts. 

Review: Bridge Theatre, Julius Caesar

In the streets of Rome, a mob gathers: drinking beer, waving flags, and jumping to the beat of 'Eye of the Tiger'...

The newly-opened Bridge Theatre has done it again - with its versatile auditorium and vibrant, trendy style, the theatre's second ever production met with fantastic reviews. Willing to take bold new risks, its production of Julius Caesar transformed this sometimes-tedious historical narrative into a wild, howling thing, brimming with restlessness, anxiety and pain. Here's my thoughts.