'All that glitters is not gold' - The Merchant of Venice, Act 2 Scene 7
External versus Internal: Tolkien & Shakespeare
Saturday, 23 June 2018
Shakespeare Sunday: The Merchant of Venice
Welcome to 'Shakespeare Sunday', where I take an extract from one of the plays and write my thoughts.
'All that glitters is not gold' - The Merchant of Venice, Act 2 Scene 7
External versus Internal: Tolkien & Shakespeare
'All that glitters is not gold' - The Merchant of Venice, Act 2 Scene 7
External versus Internal: Tolkien & Shakespeare
Wednesday, 20 June 2018
Review: RSC, Romeo and Juliet
A chorus of voices clamour to be heard, their cries becoming 140-character-length statements, loaded with meaning but exclaimed nevertheless...
There was much anticipation for the RSC's 2018 production of Romeo and Juliet, which promised a fresh, modern retelling by a youthful cast. Yet with the Globe's abstract 2017 production still fresh in people's minds, and with the RSC's recent Macbeth pushing modernisation to inaccessible levels, audiences could have been apprehensive about how the production would be handled. But under Erica Whyman's experienced direction and Tom Piper's acclaimed design, the production excelled. Here's my thoughts.
There was much anticipation for the RSC's 2018 production of Romeo and Juliet, which promised a fresh, modern retelling by a youthful cast. Yet with the Globe's abstract 2017 production still fresh in people's minds, and with the RSC's recent Macbeth pushing modernisation to inaccessible levels, audiences could have been apprehensive about how the production would be handled. But under Erica Whyman's experienced direction and Tom Piper's acclaimed design, the production excelled. Here's my thoughts.
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